Decorative Arts

Botticelli paintings have become very popular choices as art print reproductions.

Sandro Botticelli was a famous Romance creator from the Premature Revitalization point of the 15th and 16th century. Botticelli’s paintings included Primavera, The Birthing of Venus and The Admiration of the Accumulation. These rest several of the optimum art activity of the Florentine art set of that period, and Botticelli’s paintings are many of the most reputable in pious art which was real vulgar at that second. Sandro Botticelli was taught his satellite by arch artists equivalent Filippo Lippi and Andrea del Verrocchio. Botticelli paintings bonk beautify really popular choices as art create reproductions.
Oil Paintings Reproductions

Botticelli’s Primavera was created for the subverter of Lorenzo di Pierfrancesco de’ House in Town. The Birthing of Venus was afterwards stored alongside it but the someone who licensed it is unfamiliar. The Adoration of the Assemblage covers portraits of Cosimo de’ House of was finished for Santa Maria Novel, around 1475. As well as authorised paintings, Botticelli also prefabricated umteen devout frescos. One was in connecter with Perugino, Ghirlandaio, and Filippino Lippi, for Lorenzo the Magnificent’s revolutionary unreal Volterra.

portrait Paintings

Botticelli also reguarly decorated ingrained Metropolis churches who had enough business to change his skills. Botticelli was also on the committee which discussed the architectural makeup of probably the most famous edifice in all of Florence, regularize today, the Duomo. This was around 1491. He also helped determine on the activity for Michelangelo’s David to be stored.

In occurrence, Botticelli’s paintings someone ingrained themselves as arch contributions to the Earlyish Revivification period, regularize tho’ his reputation was not significant until towards the end of the 19th century. Botticelli is a salutary matter for speculate for those desire to gestate the secrets of the evolution of art from the middles ages up to the modern equal movements that we individual today. Primavera, The Nascency of Venus and The Adoration of the Collection are the prizewinning examples of his play.

Abstract Oil Paintings

Italy 4-3 West Germany (1970) Game of the Century,Partita del Secolo,Jahrhundertspiel

Spode Blue Italian 10-Inch Earthenware Dinner Plate $21.99 Produced continuously since 1816, Blue Italian remains one of Spode’s most famous and popular patterns. Its inspiration originally came from a book of engravings, and the original watercolor is attributed to a Dutch artist, deMoucheron who worked in the 17th century. Collected by museums, connoisseurs and lovers of blue and white transferware the world over, this pattern is as exciting now as it w…

Spode Blue Italian Sauce Boat and Stand $63.99 Blue Italian Dinnerware by Spode. One of their most popular patterns and has been in continuous production since 1816. The pattern still requires the most skilled hand engraving to create. Includes Sauce Boat and accompanying tray shown. Great shape an…

Spode Blue Italian Earthenware Teacup and Saucer $30.00 Blue Italian Dinnerware by Spode. One of their most popular patterns and has been in continuous production since 1816. The pattern still requires the most skilled hand engraving to create. 7 oz cup….

The Original Three Tenors Concert $16.67 This third consecutive world cup musical event will include new three tenors repertoire and take place before up to a million fans along the historic champs-de-mars in front of the eiffel tower. The concert will be conducted under the baton of the esteemed james levine. Studio: Uni Dist Corp (music) Release Date: 06/24/1997 Starring: Jose Carreras Luciano Pavarotti Rating: Nr…

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Cecilia Bartoli – If You Love Me (Se tu m’ami ), 18th-Century Italian Songs $7.36 The 17th-century Italian art song repertory traditionally reserved for novice singers is given new life via Bartoli’s artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti’s simple “O Cessate di Piagarmi” becom…

A Room With a View [VHS] $12.98 The prestigious filmmaking trio of producer Ismail Merchant, director James Ivory, and screenwriter Ruth Prawer Jhabvala had made other critically acclaimed films before A Room with a View was released in 1985, but it was this popular film that made them art-house superstars. Splendidly adapted from the novel by E.M. Forster, it’s a comedy of the heart, a passionate romance and a study of repressi…

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Poor Little Rich Girl [VHS] $9.98 …

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Totalitarianism and Political Religions, Volume II $175 Available for the first time in English language translation, the third volume of Totalitarianism and Political Religions completes the set. It provides a comprehensive overview of key theories and theorists of totalitarianism and of political religions, from Hannah Arendt and Raymond Aron to Leo Strauss and Simone Weill. Edited by the eminent Professor Hans Maier, it represents a major study, examining how new models for understanding political history arose from the experience of modern despotic regimes. Where volumes one and two were concerned with questioning the common elements between twentieth century despotic regimes – Communism, Fascism, National Socialism, Maoism – this volume draws a general balance. It brings together the findings of research undertaken during the decade 1992-2002 with the cooperation of leading philosophers, historians and social scientists for the Institute of Philosophy at the University of Munich.Following the demise of Italian Fascism (1943-45), German National Socialism (1945) and Soviet Communism (1989-91), a comparative approach to the three regimes is possible. A broad field of interpretation of the entire phenomenon of totalitarian and political religions opens up. This comprehensive study examines a vast topic which affects the political and historical landscape over the whole of the last century. Moreover, dictatorships and their motivations are still present in current affairs, today in the twenty-first century. The three volumes of Totalitarianism and Political Religions are a vital resource for scholars of fascism, Nazism, communism, totalitarianism, comparative politics and politicaltheory.

”Bodies that tell”: Physiognomy, criminology, race and gender in late nineteenth- and early twentieth-century Italian literature and opera. $49.99 This dissertation explores the impact of Cesare Lombroso and the positivist school of criminal anthropology on Italian literature and opera in the late nineteenth and early twentieth centuries.;The first chapter traces the rise of positivist science in late nineteenth-century Italy within the context of building Italian national consciousness. It explores Lombroso’s dominant role in Italian positivism, showing the methods that Lombroso used to successfully assert himself as the most important scientist and indeed intellectual of his era. The chapter ends with a discussion of why the theories promulgated by Lombroso and his school were particularly appealing to authors of literature and opera.;The second chapter analyzes criminal anthropology’s direct interventions into literary criticism, focusing on four positivist analyses of the poet Leopardi. It demonstrates that Lombroso and his disciples made a conscious effort to knock Leopardi off the pedestal upon which Francesco De Sanctis had ensconced him in favor of Giosue Carducci, a poet who better fit their mold of progressivism.;The four remaining chapters examine how specific authors and composers were impacted by Lombroso and criminal anthropology.;The third chapter analyzes the Lombrosian presence in Giovanni Verga’s short stories, focusing on manifestations of Lombroso’s criminal and prostitute in Verga’s Vita dei campi.;The fourth chapter instead examines the spiritualistic tales of Luigi Capuana, an author who entered into a friendly debate with Lombroso which lasted a quarter of a century regarding the nature of the spirit world. The fifth chapter is on two operas. The first, Verdi and Arrigo Boito’s Otello, is an opera in which the portrayal of the protagonist is distinctly informed by Lombroso’s racist ideology. The second, Mascagni and Daspuro’s L’amico Fritz, is similarly molded by Lombroso’s conflicted writings on Jews and gypsies.;The last chapter examines Grazia Deledda’s problematic relationship to

”Bodies that tell”: Physiognomy, criminology, race and gender in late nineteenth- and early twentieth-century Italian literature and opera. $49.99 This dissertation explores the impact of Cesare Lombroso and the positivist school of criminal anthropology on Italian literature and opera in the late nineteenth and early twentieth centuries.;The first chapter traces the rise of positivist science in late nineteenth-century Italy within the context of building Italian national consciousness. It explores Lombroso’s dominant role in Italian positivism, showing the methods that Lombroso used to successfully assert himself as the most important scientist and indeed intellectual of his era. The chapter ends with a discussion of why the theories promulgated by Lombroso and his school were particularly appealing to authors of literature and opera.;The second chapter analyzes criminal anthropology’s direct interventions into literary criticism, focusing on four positivist analyses of the poet Leopardi. It demonstrates that Lombroso and his disciples made a conscious effort to knock Leopardi off the pedestal upon which Francesco De Sanctis had ensconced him in favor of Giosue Carducci, a poet who better fit their mold of progressivism.;The four remaining chapters examine how specific authors and composers were impacted by Lombroso and criminal anthropology.;The third chapter analyzes the Lombrosian presence in Giovanni Verga’s short stories, focusing on manifestations of Lombroso’s criminal and prostitute in Verga’s Vita dei campi.;The fourth chapter instead examines the spiritualistic tales of Luigi Capuana, an author who entered into a friendly debate with Lombroso which lasted a quarter of a century regarding the nature of the spirit world. The fifth chapter is on two operas. The first, Verdi and Arrigo Boito’s Otello, is an opera in which the portrayal of the protagonist is distinctly informed by Lombroso’s racist ideology. The second, Mascagni and Daspuro’s L’amico Fritz, is similarly molded by Lombroso’s conflicted writings on Jews and gypsies.;The last chapter examines Grazia Deledda’s problematic relationship to

”How quickly they forget”: American Indians in European film, 1962–1976. $49.99 This study will examine representations of American Indians in Cold War German and Italian cinema. While the widely read works of Karl May provided literary models, it was through the medium of film that European screenwriters and directors furthered a fantastic relationship to Native American people. This dissertation will examine in particular how the cinematic presence of American Indians in German and Italian films during the Cold War period represented the differing needs of many of the European people who had recently suffered defeat at the hands of the American-led Allies. In the end, Europe’s post-war turn to the left failed to provide a viable counter-narrative to a legacy of 19th-century exoticism.

”How quickly they forget”: American Indians in European film, 1962–1976. $49.99 This study will examine representations of American Indians in Cold War German and Italian cinema. While the widely read works of Karl May provided literary models, it was through the medium of film that European screenwriters and directors furthered a fantastic relationship to Native American people. This dissertation will examine in particular how the cinematic presence of American Indians in German and Italian films during the Cold War period represented the differing needs of many of the European people who had recently suffered defeat at the hands of the American-led Allies. In the end, Europe’s post-war turn to the left failed to provide a viable counter-narrative to a legacy of 19th-century exoticism.

”The Amorous Doctor”: The French seventeenth-century text in modern translation. $49.99 The anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for the Theatre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell’arte into mainstream comic modes, in the manner of Moliere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on the text and the period, the genres of stage performance, and the challenges involved in translating historical texts, this first translation of le Docteur Amoureux is intended to serve contemporary theater research into this rich and prolific period in the history of the French theater under Louis XIV.

”The Amorous Doctor”: The French seventeenth-century text in modern translation. $49.99 The anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for the Theatre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell’arte into mainstream comic modes, in the manner of Moliere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on the text and the period, the genres of stage performance, and the challenges involved in translating historical texts, this first translation of le Docteur Amoureux is intended to serve contemporary theater research into this rich and prolific period in the history of the French theater under Louis XIV.

‘The shame of all her kind’: A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity. $49.99 Bodily transformation was as much an obsession of the medieval and early modern periods as it is of the twenty-first century. Monstrous and metamorphosing creatures make frequent appearances in the literature of pre- and early modern Europe, and an extraordinary number of these creatures are female. This dissertation traces several kinds of female metamorphoses as they appear in French, English, and Italian literary works from the twelfth through the early seventeenth centuries. These include supernatural hybrid women such as Melusine in Jean d’Arras’s 1392 Roman de Melusine and her predecessors in medieval stories and chronicles, the "witches" of early modern romance (Ariosto, Tasso, and Spenser), and women who transform from female to male, as in Ovid’s story of Iphis and lanthe and its early modern retellings in Lyly’s Gallathea and Benserade’s Iphis et lanthe. My primary theoretical concern in this project is the intersection of discourses—theological, scientific, epistemological—at the site of the mutable female body, particularly with regard to sexuality and reproduction, and how this intersection shifts and changes cross-temporally and cross-culturally. The topos of the enchantress-turned-hag, which Barbara Spackman argues is a figure for truth revealed, appears in many of these depictions; this puts the monstrous female body at the root of knowledge, and each of these texts engages with this epistemological problem. Melusine, seemingly human but later revealed to be half serpent, is at first condemned by her husband as demonic and deceitful for having a monstrous body. By the end of the narrative, she emerges triumphant, not only forgiven but also praised by her husband, their household, and all the nobles of the court. However, as the romance epic evolves in early modernity, particularly in relation to Reformation and Counter-Reformation politics, such enchantresses seem to devolve into a suspect kind of monstrosity, often focused on their

‘The shame of all her kind’: A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity. $49.99 Bodily transformation was as much an obsession of the medieval and early modern periods as it is of the twenty-first century. Monstrous and metamorphosing creatures make frequent appearances in the literature of pre- and early modern Europe, and an extraordinary number of these creatures are female. This dissertation traces several kinds of female metamorphoses as they appear in French, English, and Italian literary works from the twelfth through the early seventeenth centuries. These include supernatural hybrid women such as Melusine in Jean d’Arras’s 1392 Roman de Melusine and her predecessors in medieval stories and chronicles, the "witches" of early modern romance (Ariosto, Tasso, and Spenser), and women who transform from female to male, as in Ovid’s story of Iphis and lanthe and its early modern retellings in Lyly’s Gallathea and Benserade’s Iphis et lanthe. My primary theoretical concern in this project is the intersection of discourses—theological, scientific, epistemological—at the site of the mutable female body, particularly with regard to sexuality and reproduction, and how this intersection shifts and changes cross-temporally and cross-culturally. The topos of the enchantress-turned-hag, which Barbara Spackman argues is a figure for truth revealed, appears in many of these depictions; this puts the monstrous female body at the root of knowledge, and each of these texts engages with this epistemological problem. Melusine, seemingly human but later revealed to be half serpent, is at first condemned by her husband as demonic and deceitful for having a monstrous body. By the end of the narrative, she emerges triumphant, not only forgiven but also praised by her husband, their household, and all the nobles of the court. However, as the romance epic evolves in early modernity, particularly in relation to Reformation and Counter-Reformation politics, such enchantresses seem to devolve into a suspect kind of monstrosity, often focused on their

‘Who the Devil Taught Thee So Much Italian?’: Italian Language Learning and Literary Imitation in Early Modern England $27.12 Used – This book offers a comprehensive account of the methods and practice of learning modern languages, particularly Italian, in late sixteenth- and early seventeenth-century England. It is the first study to suggest that there is a fundamental connection between these language-learning habits and the techniques for both reading and imitating Italian materials employed by a range of poets and dramatists, such as Daniel, Drummond, Marston and Shakespeare, in the same period.